Blast from the Past: 60s and 70s Geometric Abstraction, now on exhibit in the Annenberg Wing at the Palm Springs Art Museum through December 23, is a vivid, powerful collection of geometric abstract paintings, sculpture and prints from the 1960s and 70s, a period known for its purity of style.

www.psmuseum.org

Some 100 artworks represent a variety of ideas in optical art (Op Art), kinetic art, minimalism, hard-edge and color field. Many of the works have rarely been or are on view for the first time in this impressive exhibit.

Purely abstract forms – square, rectangle, triangle, circle and geometric volumes such as the cube and cone — suggest architecture and geometry, while the artists’ use of primary colors, lines and compositional devices present a sensual experience, illustrating alternative ideas about art and principles of reality.

Op Art, a trend that uses optical illusions to simulate motion and other perceptual shifts, is seen in the experiments of Victor Vasarely, Carlos Cruz-Diez and Yascov Agam.  Bright primary colors finely interspersed with complementary hues, creates visual interactions between the colors that seem to give off light and vibrations.

In Jesus Rafael Soto’s classic work, the sensation of constant flux transforms color, space, line into a new perceptual experience.

Other artists from the southern California Abstract Classical movement such as John McLaughlin, Karl Benjamin, Lorser Feitelson and Helen Lundeberg, often infuse gentle blues, whites, yellows, and olive greens to their hard edge works that are “keenly reflective of the unique qualities of light and space” — characteristics of the southern California coastline.

Starting January 21, 2012 through May 27 in the Annenberg Wing will be Backyard Oasis: The Swimming Pool in Southern California Photography, 1945-1982.

As part of the Getty Foundation’s Pacific Standard Time: Art in L.A., 1945-1980 regional initiative, this exhibit examines the swimming pool in photographs as visual analogs of the ideals and expectations associated with southern California.

The images of manmade pools in arid landscapes traces the iconography of California’s  swimming pool, an integral part of the region’s identity, and suggests “the hopes and disillusionments of the country’s post World War II ethos.”

Backyard Oasis will include some 135 framed works of archival photography, prints and selected film clips shown on flat-screen monitors.

Among featured artists’ work will be Diane Arbus, Bill Anderson, Michael Childers, Robert Cumming, Julius Shulman, and Maynard Parker.

During the January exhibition will be lectures and educational programs for K-12 grade students, college and university audiences and the general public. The exhibition’s catalog contains photos and an overview of the development of the swimming pool, its aesthetic and culture.

Palm Springs Art Museum was designed in the Modernist style by renowned local architect E. Stewart Williams in 1974.  The Steve Chase Art Wing and Education Center, also designed by Williams, opened in 1996.  Today, the 124,435 square foot museum complex houses various galleries, sculpture atriums, a museum store, cafe, and the 437-seat Annenberg Theater for the performing arts.

It is located at 101 Museum Way, downtown Palm Springs.  Call (760) 322-4800.

The museum is open Tuesday through Sunday, 10 a.m. to 5 p.m.; Thursday, noon to 8 p.m., closed Monday and holidays.  Free admission every Thursday, 4 – 8 p.m. during downtown Villagefest and the second Sunday of every month.  Admission is $12.50 adults, $10.50 seniors, $5 students, free for youths under 12, active military and their families.

After visiting these Mid-Century Modern inspired exhibits at the Palm Springs Art Museum, take a tour of Palm Springs’ wonderful collection of modernism homes and public buildings.  Pick up a map at the Palm Springs Visitor Center for a self tour.

www.visitpalmsprings.com

Once you’ve whet your appetite to own of these inspired desert modern home — and the artwork to go in them — Ralph Haverkate at  agent@teamhaverkate.com or visit www.TeamHaverkate.com for a personal tour of homes and estates for sale.

– Pamela Bieri

Welcome to Team Haverkate Real Estate, specializing in Mid Century Modern Homes.

California Modernism is alive and well, with numerous major exhibitions throughout Southern California starting in October that celebrate and explore architecture, design, furnishings, art and those who created California’s unique lifestyle.

The Pacific Standard Time initiative is a collaboration of more than 60 cultural institutions across Southern California coming together to tell the story of the birth of the L.A. art scene.  An initiative of The Getty Foundation, this comprehensive scope intends to highlight the work of Los Angeles artists during the dynamic period following World War II.  Concurrent Pacific Standard Time exhibitions will run from Fall 2011 to Spring 2012 throughout the Los Angeles area and from Santa Barbara to San Diego and Palm Springs.

www.getty.edu/news/press/center/pacific_standard_time_2010.html.

The first major study of California’s influence on Mid Century Modern design, California Design, 1930-1965: , debuts October 1 at the Los Angeles County Museum of Art with more than 300 objects – furniture, ceramics, metal work, fashions and textiles, and industrial and graphic design.

The exhibition examines California’s role in shaping the material culture just before and after World War II, and the roots of California Modernism.  Through its four thematic areas, the exhibition hopes to  elucidate that California design “is not a superimposed style, but an answer to present conditions…it has developed out of our own preferences for living in a modern way,” from a statement made back in 1951 by émigré designer Greta Magnusson Grossman.

www.lacma.org/art/exhibition/californiadesign

According to Collectors Weekly, the exhibition begins in the 1930s with the development of a distinctive California Modernism, primarily through the contributions of iconic architects Kern Weber, Paul Frankl, R.M. Schindler and Richard Neutra, all émigrés from Europe where the Bauhaus and International style movements began.

The exhibit also explores design innovations that arose from technology invented during World War III such as fiberglass, plywood and steel.  In particular, Charles and Ray Eames’ work for the US Navy that resulted in their famous molded fiberglass and plywood chairs after the war.

The largest section of the show focuses on the modern California home characterized by open floor plans and seamless indoor/outdoor living, inspired as much by California’s temperate climate and casual living as post war optimism and prosperity.

www.collectorsweekly.com/events

“The economic and demographic changes that followed World War II profoundly affected California,” wrote Eudora Moore, director of California Design. “The population expanded as people emigrated west lured by the promise of employment, warm climate, optimistic outlook and growing prosperity.

As the state emerged from the postwar years, its artistic community flourished.  Freed from the constraints of Europe and New York, California became the preeminent and influential center for design.”

www.ackermanmodern.com/modernism.html

Created for a casual lifestyle, new types of furnishing were often produced by designers whose work, still largely unknown, will be seen for the first time by museum audiences, according to the LACMA  website.

The exhibition’s last section demonstrates through other exhibitions, magazines, shops and film how “The California Look” was disseminated throughout America and the world.

One of the most influential vehicles for promotion of California Modernism was the series of California Design exhibitions held from 1954 through 1976.  Eudora Moore became executive director in 1962 expanding the size of the shows and instituted juried awards.  Most were held at the Pasadena Art Museum; The final show took place at the Pacific Design Center.

California Design 1930-1965: Living in a Modern Way will be in the Resnick Exhibition Pavilion at the Los Angeles County Museum, 5905 Wilshire Boulevard, October 1, 2011 – March 28, 2012.

www.lacma.org/art/exhibition/californiadesign

Another exhibit, Eames Design: The Guest Host Relationship, also debuting October 1 at the Architecture and Design Museum in Los Angeles,  focuses on the words and designs of Charles and Ray Eames.

“The role of the designer is that of a very good, thoughtful host, all of whose energy goes into trying to anticipate the needs of his guests,” said Charles Eames.

This theme will be explored through a display of Eames’ quotes shown typographically and on film alongside key related objects – from tumbleweed, to bread, to a keg of nails and vintage furniture.  It will examine the relationship between these objects and the ideas that flow from them, according to the A+D website.

A+D is located in the Bradbury Building, one of downtown Los Angeles’ premier landmark buildings located on LA’s Museum Row.

www.aplusd.org

San Diego’s Craft Revolution, October 16, 2011 – April 15, 2012, at the Mingei International Museum in San Diego is also part of the Pacific Standard Time initiative.

The exhibition will reveal the important contributions of San Diego Craftsmen to the post-war Southern California art scene as it progresses from sleek modernism to unconventional handmade objects of use such as furniture, doors, jewelry and ceramics.

The more than 50 artists include Toza and Ruth Radakovich, Rhoda Lopez, Jack Hopkins, Arline Fisch, Ellamarie and Jackson Wooley, Larry Hunter, Kay Whitecomb and James Hubbell.

Many of the these San Diego-based artists received national attention and participated in major Los Angeles exhibitions, including the California Design series held in Pasadena and Los Angeles.

www.mingei.org/exhibitions

Starting December 11, 20121 through April 1, 2012, the Palm Springs Art Museum participates in the Pacific Standard Time initiative with Backyard Oasis: The Swimming Pool in Southern California Photography, 1945-1980.

This exhibit “examines the Southern California swimming pool as depicted in photographs.  The backyard pool as a private setting, became a space to participate in various sub-cultural rituals and to enact clandestine desires.  As a medium, photography became the primary vehicle for the circulation of post- WWII imagery.  The exhibition will trace the integrated history of photography and the iconography of the swimming pool, bringing to light many aspects of this rich interaction,” according to the Getty Museum website.

www.getty.edu/news/press/center/pacific_standard_time_2010.html

Palm Springs is the heart of California’s Desert Modernism, creating a vernacular all its own.  From containing one of the largest collections of Mid Century Modern homes and architecture in the county to dozens of important design stores in its Uptown Design District, explore Palm Springs and environs  for an inspiring, in-depth education.

Now that you are ready to own your own Mid Century Modern home in the desert, contact Ralph Haverkate for a personal tour of notable Desert Modern homes currently for sale designed by some of the world’s most respected architects:  Ralph@RHaverkate.com. or visit www.HaverkateRealEstate.com

– Pamela Bieri

A fourth generation Coachella Valley resident, architect Lance O’Donnell understands the California desert from places too deep in his soul to excavate.

From childhood memories of wide open vistas, pristine blue skies against rugged mountains, days flooded with sunshine, and soft turquoise sunsets, Lance has absorbed more than the physical essence of desert living.

He also lived among and absorbed the inspired and innovative architecture created over the last half century by some of the world’s most gifted and notable architects:  Richard Neutra, Albert Frey, E. Stewart Williams, William Cody, and Don Wexler, with whom O’Donnell began an almost decade long collaboration in 2002.

www.pspreservationfoundation.org www.eichlernetwork.com

After receiving his Bachelor of Architecture degree, with honors, from Cal Poly San Luis Obispo in 1991 and his Master degree in architecture from UCLA in 1994, O’Donnell returned home to the desert to, in a sense, resume the work of the past masters.

“Palm Springs has a heritage and history of genuine and authentic architecture,” said O’Donnell.  “That generation of progressive thinking influenced an entire movement of architecture. The desert was a place for experimentation.  Varied people and lifestyles drove the thinking;  architects could take a more experimental and progressive approach to living.  It was not about ‘having to have so many bedrooms and bathrooms.’”

Different housing configurations — from Cody’s pre-condo era connected cottages at Eldorado Country Club to Wexler’s cluster of attached homes with lots of open space around them –  the desert lifestyle has always engendered a sense of community, said O’Donnell.

“You shared the yard and the pool; you wanted to know your neighbor.  It promoted a community sense, civic mindedness,” he said.

O’Donnell’s firm, o2 Architecture, “engages the senses and intellect with a poetic connection to site and rigorous environmentally crafted modernism.”

www.o2arch.com/

He collaborated with Wexler on his California modernist lifestyle project in the Hamptons, and completed an extensive remodel of Wexler’s former family home, awarded “Remodel of the Year” in 2009 from the Palm Springs Modernism Committee.

www.hamptons-modern.com/team.html

Current owner Daniel Giles who purchased the home from yet another previous owner, wanted to renovate and maintain its modernist essence but expand and update some living areas.  He asked Wexler to be a consultant with O’Donnell as the remodel architect.

“It was not easy managing the project,” admitted O’Donnell. “Giles took some license by eliminating one bedroom and expanding another.  In the end, though, when Wexler and his 3 sons recently toured the house, they agreed with and saw the significance of the expansion and remodel.”

Remodeling a mid-century modern home is not always just about restoring to an original condition.

Today, year round homeowners also seek more space — larger bathrooms and kitchens and more storage– as well as better cooling and insulation, more luxury appointments, while still adhering to the mid-century ideals.

“Part of the challenge is that people tend to accumulate stuff over the years and this stuff has its own inertia so doesn’t easily go away” said O’Donnell. “And in a minimalist environment, there’s often not enough space to store it — whether it’s shelving or wall space or adding storage for seasonal things like clothes or holiday decorations.”

During the 70′s, 80′s and 90’s, many mid-century modern homes suffered “add-ons” such as enclosing covered patios, extra rooms and storage areas that obscured the architect’s original vision.

“In some cases, we’ve had to surgically remove almost one third of the square footage to get to a livable plan,” said O’Donnell.

Making homes energy efficient by today’s standards is another challenge.

“Back in the 50′s and 60s when electricity was cheap, you didn’t worry about running the AC all day and leaving the doors open,” he said.  “There was lots of attention on indoor/outdoor living, but no plan for energy conservation. There was a understandable tendency for over-consumption.”

O’Donnell’s recent renovation of Ralph and Bettina Haverkate’s mid-century modern in south Palm Desert included new air conditioning units and ducts, fully insulating the new roof and walls, and using dual pane windows throughout – including a massive glass wall—on the “cool” north side.

He added functional space with a new master suite bedroom and bathroom, designed with its roof tilted in the opposite direction of the house’s existing roof line to celebrate the views and resulted in a butterfly roof profile.

For his own family home in Palm Springs’ Little Tuscany neighborhood, O’Donnell designed the house that taps natural cooling temperature patterns in summer and passive warming in winter through “timeless, low-tech solutions” like cross ventilation.

“By placing large operable windows on the north and south sides of the house, we can quickly cool the house in evenings, thus decreasing the need to air condition,” O’Donnell said in a Palm Springs Life Magazine story about his “Bionic House.”

www.palmspringslife.com/core/pagetools.php?pageid=9056&curl=%2FPalm-Springs

A generous overhanging roof shades the floor to ceiling windows in summer, while the sun’s lower angles in winter warms its interior concrete floor which retains heat throughout the night.  The LEED certified home with sub zero carbon footprint was completed in 2009.

“After living in the house for two years now, its efficiency is even better than expected,” said O’Donnell.  “We’ve never had to turn on the heating system and the house performs 25-30% better than our energy models predicted.”

O’Donnell, his wife Regina, and eight-year-old son Jonathan enjoy living in their “house of the future,” while benefiting from its energy efficiency today.

The up-and-coming architect has worked on more than a dozen Alexander home remodels, several by Cody and Wexler and his firm also designs many new mixed-use and civic projects.

While some projects still remain on paper, one of his proudest achievements is the Tahquitz Canyon Visitor Center on Agua Caliente tribal land.

www.indian-canyons.com

The glass, steel and concrete building — its classic modernist form and large overhanging roof — stands out against the rugged mountainside at the entrance to an ancient Indian canyon where for centuries, native people gathered seed, hunted, planted and lived in harmony with the desert.

“The paradox is while contrasting with the natural environment the building seamlessly harnesses the same natural forces the Cahuilla utilized for thousands of years.”

Working closely on mid-century building, has “driven home the sense that there is an underlying order to the building, there is a harmony to the parts,” said O’Donnell.

And there is clearly poetic harmony between nature and human purpose in O’Donnell’s designs.

— Pamela Bieri

Welcome to Team Haverkate Real Estate Specializing in Mid Century Modern Desert Homes

During Modernism Week 2011, Park Imperial South on South Araby Drive in Palm Springs celebrated its 50th birthday and invited the public to tour its 31-unit condominium community.  Created in 1960 by one of the nation’s most noted residential architects, Barry Berkus, AIA, Park Imperial South’s remarkable Mid Century Modern design still thrives and remains virtually untouched.

www.parkimperialsouthps.com www.modernismweek.com

Berkus guided the tour and presented his take on modernism’s mark on architecture in Palm Springs and across America.  A video archive of the design tour and Berkus’ discussion is posted here at Team Haverkate Real Estate.

“Being acknowledged by those who live within the architect’s dream is the highest honor one can aspire to , and the fact that residents here have kept my dream in condition is a remarkable compliment,” Berkus said.

www.24-7pressrelease.com/press-release/barry-berkus-aia-to-address-modernism-week

Founder and president of B3 Architects and Berkus Design Studio in Santa Barbara, Berkus has remained on the forefront of residential design in this country and abroad for over 40 years.  His name is synonymous with innovation, and his firm has won hundreds of design and planning awards from regional, national and international competitions.

www.barryberkus.com www.b3architects.com

Berkus began college with a focus on economics, but he always loved to draw.  After attending Santa Barbara City College, he transferred to USC’s  architecture program, saying “It was exciting and I knew I’d found my place.”

He pursued housing, an industry that during the 1950′s and 60s most architects thought was “beneath them” and many were convinced they couldn’t make a living at it.

“When we started, housing was looked down upon,” he recalled. “I lead a design panel at the National Association of Home Builders, but couldn’t do one at the American Institute of Architecture.”

“I had a goal to change the way housing looked,” he said.  “I wanted to give it a sculpted feeling, an innovative component to nurture people.  I strived to use volume, light and shapes in my homes.”

Berkus’ ability to produce house plans quickly also turned the odds in his favor.

“Housing as a product has to move on and off the boards quickly because it didn’t pay very well,” he said.

www.noozhawk.com/article/120309_barry_berkus

Berkus began as an intern for noted Palm Springs architect William Cody before opening his own firm and designed Park Imperial South at the age of 25.

During his talk at the tour, Berkus recalled sitting at construction sites for John Lautner projects, inspiring him to develop his  own unique design vision.  Berkus said Park Imperial South was an experiment in design and construction.  The distinctive folded-plate roofs were constructed in Oakland before being transported to Palm Springs where they were lifted into place by crane.

www.itssosunny.com/2011/02/20/palm-springs-modernism-week-home-tour-feature

“I wanted to design a space for people who could not afford an architect,” said Berkus of the project.

As his company went public, Berkus began considering modular housing.  He researched data at UCLA on every modular created up to that point and concluded that mobile homes were the only successful factory-built house that made its manufacturer money and lasted for any length of time.

“Let’s change the way housing is built,” he said when he approached national builders with the first “smart house” and various homes on wheels.

“I’ve always gone the far edge of the planet in my thinking,” Berkus admits.  “I’ve always been interested in investigating.  I’m in my 70s now and I’ve failed a bunch, in part because security never interested me.”

“Architects, by nature, are optimists,” he said.  “I’ve grown by taking risks and assumed it would work out.  Even recently, with single family homes in Santa Barbara, I’ve had to build them and then people showed up to buy them.  I knew it was right.”

www.noozhawk.com/article/120309_barry_berkus

It seems Berkus was right about his long lasting design at Park Imperial South as well.

One objective of the Modernism Week tour was to demonstrate the complex’s design longevity both interior and exterior as well as the versatile floor plan.

Nine homes in varying stages of rehabilitation and remodel were open for guests to view.  Several units had been completely redone with new kitchens and appliances, upgraded bathrooms, redesigned patios and new flooring, while other units retained original design elements such as range hoods, cabinetry and intercom entertainment systems.

For the past 10 years, Park Imperial South homeowners association has been restoring the complex with new landscaping, entrance signage, lighting and wood paneling to each home’s entrance.  The Palm Springs Preservation Foundation has granted funds to continue restoration projects, and the sold-out tour during Modernism Week benefited the development’s renovation projects.

www.itssosunny.com/2011/02/20/palm-springs-modernism-week-home-tour-feature

For Berkus, thinking outside the grid comes naturally and so does the task of reinvention.

“Everything has to fall apart so you can come up for air,” he said.  “Residential architecture is about romance, learning, fulfillment of a journey.  It should never be below you to do housing.”

www.residentialarchitect.com

Palm Springs has a proud heritage of innovative Mid Century Modern architecture in public buildings as well as custom, tract and condominium homes.  For a personal tour of Mid Century Modern properties currently for sale, contact Ralph Haverkate at ralph@RalphHaverkate.com.

– Pamela Bieri

When Ralph W. Haverkate, a real estate broker specializing in Mid Century Modern homes, came across an abandoned but classic Mid-Century Modern home in south Palm Desert that was facing a short sale, he immediately called his wife Bettina Waldraff to come take a look.

“He wanted me to see the inside of the house with the true mid-century modern beam ceiling and big back yard with pool which our two Entlebucher Swiss Mountain dogs would love,” she said. “We both saw right away the potential this property could have.”

The couple called young up-and-coming architect Lance O’Donnell of O2 Architecture in Palm Springs, a protégé architect working with Donald Wexler.  They previewed several homes with O’Donnell to get his perspective and input. O’Donnell agreed that south Palm Desert house was a great location, within walking distance to El Paseo, and had “great bones and potential.” O’Donnell suggested leaving the existing ceiling and adding on a master suite to increase the house from approximately 1,900 square feet to 2,500.

Their offer finally accepted, the Haverkates sealed the deal in November, 2009.  O’Donnell began his design that  maintained the house’s original architecture but meticulously reinvented its interior. Rarely is a house able to combine modern and vintage accents into a living work of art.

“Mid-April of last year, our project was underway,” said Bettina. “Moving along, the whole house was gutted down to the studs and just the old concrete floors and wood beam ceilings were left.”

The remodel, executed by Barton Construction Palm Springs and Team Haverkate, kept the original wood post and beam construction and ceiling.  New air conditioning ducts and copper plumbing were installed under the original slab. The new roof and walls were fully insulated and the concrete floors throughout were restored and polished.

The new master suite bedroom/bathroom addition was designed with its roof tilted in the opposite direction of the existing roof line of the house to give it the mid-century modern “Butterfly Roof” look.

The kitchen was designed to be a focal point in the living space.  It features CAESARSTONE kitchen counter tops, white high gloss Wenge wood veneer cabinets and top-of-the-line MIELE dishwasher, oven, steamer, warming drawer, and built in espresso machine, with an energy efficient induction glass cook top and stainless steel hood. A SUBZERO refrigerator and 150 bottle SUBZERO wine fridge complete the kitchen appliances.

“A long 10 feet dining table was a must since I like to cook and entertain friends and clients of Ralph’s,” said Bettina. “And a handmade crystal chandelier rounds up the dining area giving it a glamorous feel.”

A huge 24-foot glass wall completely disappears, joining the living areas to the patio and pool.

“Strong support was needed to hold the big glass slider,” said Bettina. “To have that open space, living inside/outside feeling was one of the main items on our wish list.”

The swimming pool was completely re-done in its original style, shape and size with all new pool equipment, plumbing and concrete decking, adding an outdoor fire pit and sitting area. Albert Frey-style block walls provide privacy and accent the desert landscaping. A state-of-the-art see-through glass Napoleon fireplace replaces an outdated fireplace.

Bathrooms feature PORCELANOSA glass tiles and Wenge veneered cabinets under modern WET sinks and the master bath has a white custom CAESARSTONE dual vanity.  All faucets, shower heads and toilets are the latest design of KOHLER.

“Mark Davis from the Modern Home store in Palm Springs supplied us with tile for all the bath rooms and kitchen back splash as well as the countertops in the kitchen and the double sink free-floating unit in the master bath,” said Bettina.

The Haverkates chose double pane energy-efficient aluminum framed windows and sliders throughout the house. Three separate air and heating systems were placed underground (rather than on the roof) and can be operated separately to keep the energy costs down. Most lighting is the latest energy efficient LED light fixtures.

“Finding the right furniture was fairly easy since both Ralph and I have very similar taste,” said Bettina. “We were able to picture what pieces we needed where and what colors.  We found some of the furniture in Los Angeles, and also some great pieces locally in Palm Springs.”

The property is conveniently located in a very quiet South Palm Desert area but still within walking distance to the high-end shopping/restaurant EL PASEO area.

“We moved in November 2010 and just love the area and the house,” said Bettina. “Our two dogs, Heidi and Willi, could not be happier; they enjoy the big lawn area created for them to play and run after their balls.”

Welcome to Ralph Haverkate Real Estate Specializing in Mid Century Modern Homes in the California Desert

Dion Neutra, son of celebrated architect Richard Neutra and surviving partner in the storied architectural firm, invites Neutra fans to help celebrate the firm’s 85th anniversary next weekend in Los Angeles.

Dion plans a series of events that include a birthday party at the Eagle Recreation Center on Friday, April 8, which would be Richard Neutra’s  119th (b. April 8, 1892- d. April 16, 1970). On Saturday and Sunday are a symposium, reunion of Neutra owners, comprehensive walking tour of 10 Silver Lakes homes including the Lovell Health House, plus documentary films and VIP receptions at various Neutra designed sites in Los Angeles.  Ticket sales benefit the Van Der Leeuw Research house restoration and endowment, a 501 c 3 non-profit institute.

A ticket to all weekend events is $250 or separate tickets are available for each event.  To purchase  tickets and for specific information, go to

www.neutra.org/reserve-your-space.html.

The Austrian-born Richard Neutra, who emigrated to the United States in 1923, is best known for  combining Bauhaus modernism with Southern California building trends, creating a unique adaptation that became known as Desert Modernism.

At the Technical University of Vienna, Neutra studied under Adolf Loos , who was influential in European Modern Architecture. He was also influenced by Otto Wagner, a professor at the Vienna Academy of Fine Arts, who radically opposed the prevailing architectural styles.  Neutra  worked for a time in Germany in the studio of Erich Mendelsohn who practiced “dynamic functionalism.”

After coming to the US, Neutra worked briefly for Frank Lloyd Wright before collaborating with his close friend and university companion Rudolf Schindler, living and working communally in Schindler’s Kings Road House in California.

www.wikipedia.org/wiki/Richard_Neutra

Neutra’s houses were dramatic, flat-surfaced industrialized looking building, constructed with glass, steel and reinforced concrete, and typically finished in stucco. His style was rigorously geometric but composed airy structures that created a modern regionalism for Southern California, a West Coast variation of the Mid-Century Modern residence.

Neutra was regarded for the careful attention he gave to defining the real needs of his clients, regardless of the size of the project.  He sometimes used detailed questionnaires to discover his client’s needs, much to their surprise. His domestic architecture was a blend of art, landscape and practical comfort.

The Lovell House (1927-1929) in Los Angeles created a sensation in architectural circles both in Europe and America, as stylistically similar to Le Corbusier and Mies van der Rohe.  A special tour of this house for the anniversary celebration takes place on Sunday, April 10 from noon to 5 p.m.

Later, Neutra designed a series of elegant pavilion-style homes composed of layered horizontal planes.  With extensive porches and patios, the homes appeared to merge with the surrounding landscape.  The Kaufman House (1946-47) in Palm Springs and the Tremaine House are examples of Neutra’s pavilion houses.

http://architecture.about.com/od/greaterarchitects/p/richardneurtra.html

The Kaufman House has twice been at the vanguard of new movements in architecture:  First by helping to shape postwar Modernism and later, as a result of a painstaking and expensive restoration in the late 1990s, spurred a revival of interest in mid-20th century homes, according to a New York Times review by Edward Wyatt.

This house is one of Neutra’s the best-known.  Its  unusual pin-wheel plan was designed for Pittsburgh department store magnate Edgar J. Kaufmann, became the last domestic project by the architect, and arguably his most famous.

The house became part of cultural history thanks to a 1947 photo by Julius Shulman that shows Mrs. Kaufmann reclining by the pool, the house glowing in the sunset.  The photo became one of the most reproduced architectural photographs ever.

www.eichlernetwork.com/desert_chron7.html

Neutra extended architectural space into carefully arranged landscapes.  The dramatic images of flat-surface, industrialized residential buildings contrasted against nature were popularized by Shulman’s  photography.

In his architectural firm, Neutra worked with several successful partners including his wife, Dione, from 1922; his protégé Robert Alexander, from 1949 to 1958 (the Alexander homes in Palm Springs); and his son Dion from 1965. In the early 1930s, Neutra’s Los Angeles practice trained several young architects who went on to independent success, including Gregory Ain, Harwell Hamilton Harris and Raphael Soriano.

Dion kept the Silver Lake offices designed and built by his father open as “Richard and Dion Neutra Architecture” in Los Angeles. The Neutra Office Building is listed on the National Register of Historic Places.

www.greatbuildings.com/architects/Richard_Neutra.html

An experienced and outspoken writer, Neutra adamantly believed that modern architecture must act as a social force in the betterment of mankind.

www.architectureweek.com/2002/0424/news_1-1.html

Neutra is one of many famous Mid Century Modern architects whose celebrated works abound in the California desert.  For a tour of significant Desert Modern homes and estates currently for sale, contact Ralph Haverkate Real Estate at Ralph@RHaverkate.com.

– Pamela Bieri

Palevsky Residence, Palm Springs, CA 1968

Welcome to Ralph Haverkate Real Estate Specializing in Mid Century Modern Homes in the California Desert

Craig Ellwood is credited with designing some of the most elegant modern homes built in California in the 1950s and 1960s, but he was not educated as an architect.  Greatly influenced by Mies van der Rohe as well as Charles Eames and Richard Neutra, Ellwood’s designs were characterized by exposed lightweight steel or timber framing, and by floating wall planes separated by a shadow line or “flash gap” detail.  Ellwood homes were spare, modernist and elegant.

On Saturday, April 2, 10 a.m.,  the Palm Springs Museum focuses on Ellwood’s work as the final seasonal lecture on the history of modernism architecture in Palm Springs.  A tour of Ellwood’s most significant Coachella Valley work, the Max Palevsky residence in Palm Springs, follows the lecture.  The late billionaire Palevsky was a computer technology pioneer, venture capitalist and philanthropist. Cost for the event is $25.  www.psmuseum.com.

An influential Los Angeles-based modernist whose career spanned the early 1950s through the mid-1970s, Ellwood was recognized for fusing the formalism of Mies van der Rohe with the more casual  California modernism, adapting the style into an accessible and fashionable vernacular.

The controversial designer fashioned a “persona” and career through his innate talent for good design, ambition and self-promotion.  If ever there was a product of Hollywood, it was architect Craig Ellwood.  Even his name was an invention:  Born Jon Nelson Burke in Clarendon, Texas, in 1922 his family moved to Los Angeles in 1937 where he attended Belmont High School.

After discharge from the Army Air Corps in 1946, Burke returned to Los Angeles and set up a company with his brother Cleve and two friends from the war, the Marzicola brothers, one of whom had a contractor’s license.  The four men named their firm “Craig Ellwood” after a liquor store called Lords and Elwood located in front of their offices.  Burke later legally changed his name to Ellwood and established Craig Ellwood Design in 1951.   www.absoluteastronomy.com/topics/Craig_Ellwood

Ellwood entered LA’s percolating, post World War II design world as a construction supervisor, draftsman and a cost estimator.  He worked for a construction company in Los Angeles while taking night classes at the University of California Los Angeles Extension Division.  One year before completing his studies, he and his partners established Craig Ellwood Associates in Los Angeles.

Ellwood learned hands-on about building in steel and plastic sheet before he studied architectural theory which gave him an understanding of steel construction and a practical application that eluded many contemporaries from architectural school.  His designs incorporated steel with thoughtful detailing and craftsmanship;  his trademark structural devise incorporated an exposed warren truss that used small member to span big distances.   www.greatbuildings.com/architects/Craig_Ellwood.html.

As a cost estimator for a firm of modern house builders — Lamport, Cofer, Salzman —  Jack Cofer asked Ellwood to design his first house for Milton Lappin in 1948.  Although an awkward  derivative of Frank Lloyd Wright’s Sturges House in Brentwood, the house was published in the Los Angeles Times Home Magazine in 1950, bringing Ellwood recognition, further commissions, and encouraged him to set up, illegally, as Craig Ellwood, Architect.

Soon after he began co-designing homes, Ellwood met John Entenza, founder of the important Case Study House Program which commissioned and promoted modern, economical housing designs.  As editor of Arts & Architecture magazine, Entenza promoted the creative and cost-effective prefabricated, modular housing by publishing these demonstration houses, designed by such luminaries as Charles Eames, Eero Saarien, Richard Neutra, John Lautner, and Edward Killinsworth.  Ellwood eventually designed three Case Study houses all built with exposed steel frames and columns.

His first commission outside of Los Angeles, in 1955 for Charles and Gerry Bobertz in San Diego, Ellwood designed an early example of what later came to be called Ellwood’s “wall houses,” named because of an unrelenting street facade and the defining, perpendicular rhythms and materials of interior and exterior walls.

Behind the stark street facade, however, logically arranged living area unfold, flooded with natural light from windows and skylights.  Eight-foot tall floor to ceiling glass doors open the house to the back yard and a children’s courtyard.  Inside, partition walls, capped with bands of glass that meet the wood ceilings, seem to float.   www.legacy.signonsandiego.com/uniontrib/2006/09/03/news_mzlhs03moder.html

The enigmatic exterior wall theme continued when Ellwood designed the Palevsky home on West Cielo Drive in 1968 on what was then described as “the best site in Palm Springs.”  Based on Casablanca desert  style homes that were white-walled compounds with structures set within rectangular walls, the minimalist Palevsky home is integrated into its boulder-strewn site.

www.palmspringsarchitectureblogspot.com/2010/05/max-palevsky-residence.html

Often formal in arrangement, sometimes symmetrical in plan and frequently launching into the landscape, Ellwood houses populated the more exclusive Los Angeles suburb including Beverly Hills, Pacific Palisades, Brentwood and Pasadena.

Although Ellwood’s style translated less well in large commercial projects, the Scientific Data Systems site in El Segundo, (1968) where the administration and manufacturing buildings are pavilions in an open landscape, achieved a successful expression.  Ellwood’s last building, the Art Center College of Design in Pasadena, was conceived as a huge truss spanning a canyon, a final, successful realization of a theme often repeated in his earlier buildings.

Although Ellwood’s work is limited in Palm Springs, the California desert is a treasure trove of remarkable, architecturally significant homes and estates by some of the world’s most prominent Mid Century Modern architects.  For a personal tour of significant homes for sale in the area, contact Ralph Haverkate at Ralph@RHaverkate.com.

–Pamela Bieri

Welcome to Team Haverkate Real Estate Specializing in Mid-Century Modern Homes For Sale in the California Desert.

Alexander Weekend tickets are now on sale!

The Alexander Weekend,  March 25-27, celebrates the 10th anniversary of the Palm Springs Preservation Foundation’s inaugural event in 2001 that first recognized the Alexander Construction Company’s significant contributions to modernist residential architecture in Palm Springs.

In conjunction with its first Great Alexander Weekend, the Palm Springs Preservation Foundation published a tribute journal entitled When Mod Went Mass: A Celebration of Alexander Homes. The weekend and tribute journal launched a growing appreciation of the seminal role the Alexander Construction Company played in the creation of Palm Springs’ “built environment.”  It also brought to the forefront the architectural importance of those Alexander-built tract homes designed by architects William Krisel and Donald Wexler.

This year, a new commemorative tribute journal devoted to the Alexanders is entitled The Alexander: A Desert Legacy and written by architect/author Jim Harlan.

The Alexander Company, founded by George Alexander and his son Robert, was a Palm Springs based residential development company that built more than 2,200 homes in the desert between 1947 and 1965.  The “Alexanders,” as these homes are now  known, doubled Palm Springs residential population, giving the city a whole new shape and direction.  www.wikipedia.org/wiki/Alexander_Construction_Company.

Key to the Alexanders’ success was the talented young architect Krisel, partner in the Los Angeles firm Palmer and Krisel, Inc. and a close friend of Bob Alexander.   www.psmodcom.com/Architects%20pages/PalmerKrisel.

The Alexanders’ foray into desert tract homes began with Twin Palms Estates, named for two palm trees included in the front landscaping of each home.  Hallmarks were a single story, open floor plan with an indoor-outdoor feeling enhanced by skylights, sliding glass doors, and an interior atrium.

Three quarter walls divided the main room to provide abundant light, eliminating the need for full framed walls, molding and trim, so created a clean contemporary look.  Exposed tongue-and-groove planks and beamed ceilings also enhanced the room’s soaring architectural lines.  The same floor plan repeated within the housing development saved construction and materials costs.

Krisel was involved with every facet of design, planning, engineering and construction.  From site and landscape choices to interior colors and trim, each house was oriented and embellished differently, making the Alexanders look like a collection of individualized custom homes.

Other Palmer & Krisel projects included the Ocotillo Lodge, Vista Las Palmas, Racquet Club Estates, Sandpiper condominiums in Palm Desert, and the famous “House of Tomorrow” also known as the “Elvis Presley Honeymoon Hideaway.”  Robert Alexander and his wife lived in this house for a time, featured in Look Magazine in September, 1962.

From as early as the 1920s and through the 1970s, an impressive roster of talented architects have been captivated by Palm Springs:  R.M. Schindler, Richard Neutra, and Lloyd Wright (Frank Lloyd Wright’s son); young Swiss architect Albert Frey whose work profoundly influenced desert architecture; and regional modernists William F. Cody, E. Stewart Williams, Wexler and Krisel.

Each made their mark with “striking custom homes, impressive commercial complexes, hotels and motels, commanding civic and educational campuses … and created an architectural treasury of great consequence and innovation in and around Palm Springs,” writes Robert Imber  in his story on The Alexander Homes.  www.eichlernetwork.com/desert_chron1.html.

Imber noted that Palm Springs remained a sleepy seasonal village until postwar American affluence and growing families began to emerge with a demand for mass market housing.  Coupled with the fact that Palm Springs already was a discrete playground for Hollywood’s elite, a bevy of builders and architects grew to fill the increasing demand for year round residential and well as seasonal vacation homes.

The Alexander Weekend includes a free Kick Off event with Jim Harlan’s lively, entertaining overview of the Alexander Construction Company’s post-war housing stock in Palm Springs on Friday, March 25, 6 – 7:30 p.m. at the Canyon Conference Center.  Panelists include architects Krisel and Wexler along with author Alan Hess and architect/author Patrick McGrew discussing the lasting impact the Alexanders made on Palm Springs post-war building boom.

Join Honorary Chair Jill Alexander Kitnick at the Opening Night Cocktail Party on Friday, 8 to 10 p.m. and be among the first to preview the new tribute journal.   The party will be held in a Krisel-designed “long butterfly” home in Twin Palms, an example of the Alexanders’ early work that has never been open to the public.  A specialty cocktail has been created to celebrate the event.

The Alexanders had five distinctive rooflines:  The classic butterfly;  a flat roof with side or front entry; narrow gabled roof with front or side entry; wide gable roof; and side gabled roof with clerestory windows.

Modernist Home Tour I on Saturday, March 26, includes two of the Alexander Construction Company’s most important modernist neighborhoods, Twin Palms and Vista Las Palmas, showcasing fine examples of mid-century residential architecture including “Butterfly,” “Swiss Miss” and other Alexander rooflines.  www.eichlernetwork.com/desert_chron1.html.

The tour also includes the “House of Tomorrow,” considered one of the most innovative modernist residences built at that time.  Tour times are from 10 a.m. to 6 p.m. and includes a one-hour lunch break.   www.elvishoneymoon.com.

The second day of the Modernist Home Tour on Sunday, March 27, 10 a.m. to 4 p.m. uncovers more of the Alexander Construction Company’s legacy with tours of the Krisel-designed Racquet Club Road Estates and the Sunmor neighborhood, along with the Wexler-designed Green Fairway Estates neighborhood.  www.racquetclubestates.com

Harlan will be on hand to sign his new book at Just Fabulous bookstore, 515 N. Palm Canyon Drive, during a complimentary book signing from 3 to 5 p.m.

The opening night cocktail party is $50 per person; Modernist Home Tour I is $85 and Modernist Home Tour II is $45.  The AW multi-pass option at $165 offers the best value and includes the exclusive Friday night cocktail party and two full days of house tours, a $15 savings to all events.

For tickets and reservations, log onto www.pspreservationfoundation.org

“We are proud to be partners in celebrating the annual Modernism Week and the Alexander Weekend, ” said Ralph Haverkate of Team Haverkate Real Estate.  “Both events further the cause of historic preservation in the Palm Springs area, so that for years to come we will have something tangible to celebrate, to own and pass down to future generations.”

Citywide, the collection of Alexanders range from 1,225 square feet in the Racquet Club Road Estates at the north end to over 2,500 square feet in the Vista Las Palmas, Golden Vista,  Mountain View, and Green Fairway Estates nearer to the center of town.  These were originally priced from $16,950 to $50,000.  Today, the Alexanders are highly sought after and refurbished sells from $400,000 to well over one million dollars.

For a personal tour of Wexler and Krisel designed Alexander homes and estates for sale in the Palm Springs area, contact Ralph@RHaverkate.com.

– Pamela Bieri

Welcome to Ralph Haverkate Real Estate, Specializing in Desert Modern Homes for Sale in the Palm Springs Area

One of the highlights of this year’s Modernism Week is a continuing retrospective of architect Don Wexler’s 60-year career titled Steel and Shade: The Architecture of Donald Wexler at the Palm Springs Museum, on view through May 29.

A symposium on Wexler’s legacy will be on Saturday, February 26 from 9 a.m. to 6 p.m. at the museum.  Museum architecture and design curator Sidney Williams and co-curator Dr. Lauren Weiss Bricker will moderate a discussion of contemporary architects who continue in Wexler’s legacy of environmentally sensitive, innovative designs.  www.psmuseum.org/councils

Wexler’s iconic designs such as the folded plate roof lines of the Alexander Steel Homes, overhangs that shade walls of glass, clerestory windows that bring in natural light, and prefabricated all-steel structures are some examples of active and passive solar energy uses and sustainability that Wexler employed long before these concepts were trendy.

Celebrated as one of Palm Springs’ most prolific architects of this time, the exhibition features a full-scale sectional steel model illustrating Wexler’s prefabrication system, and which gives visitors the experience of inhabiting a Wexler-designed home.  Drawings, photographs and models from the architect and models built in collaboration with architecture students and Cal Poly Pomona are also part of the exhibit.   http://tmagazine.blogs.nytimes.com/2011/02/17/seeing-things-donald-wexler.desert-modernist

Wexler’s all-steel Alexander houses, designed in 1962 with structural engineer Bernard Perlin, were affordable, elegant and quick to assemble on site; the perfect answer to the postwar housing boon.

“Steel, concrete and glass are ideal materials for the desert,” Wexler said. “They are inorganic and don’t deteriorate in the extreme temperatures of the desert.”  www.eichlernetwork.com/desert_chron12.html

Wexler’s innovative pre-fab system could be configured in a variety of ways, using a post-and-beam structural steel frame, a system of panelized opaque steel walls, and steel framed glass windows and doors.   Several prototype model homes were build and these relatively maintenance-free homes are still pristine after nearly 50 years.

Wexler attended the University of Minnesota School of Architecture in the years following World War II.  He graduated in 1950, one of the first generation of American architects trained in the concepts of modernism.

Wexler moved to Palm Springs in 1952 after working with acclaimed Modernist architect Richard Neutra in Los Angeles.  Wexler recalls that “there was a collective sense that we could do anything; we could accomplish anything; we could experiment.”

Wexler is all about logic and efficiency, according to a feature  by Morris Newman, The Quiet Elegance of Donald Wexler, in this month’s Palm Springs Life.

“His buildings fit together tightly, like parts of a machine.  Nothing seems out of place, and details rarely  distract from the whole.  His approach to building dates back several decades, when the elegance of architecture was supposed to be a byproduct of research and good thinking.  He is as interested in building technology as a general contractor and as aware of cost as a developer,” writes Newman.    www.palmspringslife.com/Palm-Springs-Life/February-2011/the-quiet-elegance-of-donald-wexler.

Just as his early work was influenced by Neutra, William F. Cody, Eichler and others, Wexler also inspires a young generation of architects such as Lance O’Donnell,  Taalman Koch Architecture, Narendra Patel and Ana Escalante.   www.mydesert.com (search under Wexler)

His work is still very visible and viable today in numerous public projects including his largest, the Palm Springs International Airport, a building that is both welcoming and functional.

“Can you imagine walking though the building’s doors and the first thing you see is Mount San Jacinto?” said Williams.

Wexler also designed the Palm Springs Police Department and Jail, the Larson Justice Center in Indio,  the Merrill Lynch Building in Palm Springs, the original Palm Springs Spa Hotel’s Bath House(a joint venture with Rick Harrison, William Cody and Pierre Koenig), the Desert Water Agency, El Rancho Vista Estates, Royal Hawaiian Estates (Palm Springs’ first residential historic district), Palm Springs Medical Clinic, Union 76 gas station, numerous schools and celebrity homes.

Wexler’s celebrity homes included the stunning Dinah Shore and Leff/Florsheim houses, actor Alan and Sue Ladd’s home, one that eventually became Ann and Kirk Douglas’, actress Andrea Leeds and her race-horse and Buick agency owner husband Bob Howard, and a project for Frank Sinatra.

Wexler hasn’t stopped working.  Currently under construction is Hamptons Modern, bringing California modernism to the East End of Long Island.  Developer Marnie McBryde has plans to build up to 50 Wexler-designed houses, which are adaptations of the 1964 Dinah Shore house.

Some fascinating books on Wexler available through Palm Springs Preservation Foundation include the Wexler Tribute Journal, and Donald Wexler: Architect by Patrick McGrew.

More Palm Springs Modern events coming up:  The 10th Alexander Weekend, March 25-27, 2011, celebrating the Alexander tract homes’ architectural importance. www.pspreservationfoundation.org.

Interested in buying a Wexler or other classic Mid-Century Modern desert home? Contact Ralph@Ralphhaverkate.com for a personal tour of homes and estates for sale in the California desert area.

– Pamela Bieri

Welcome to Ralph Haverkate Real Estate Specializing in Mid-Century Modern Homes for Sale in the California Desert

Palm Springs has long enjoyed international fame as a celebrity haven and world-class vacation destination.

But more than a decade ago, the exacting restoration of the Richard Neutra-designed Kauffman House in Palm Springs sparked renewed interest in Mid-Century Modern architecture, and since fanned the flames of national and international attention.

Palm Springs began attracting a new tourism niche for architecture and design buffs because of the astonishing concentration of significant Mid-Century works by such pioneer builders and architects as Neutra  www.neutra.org. Joseph Eichler, www.eichlernetwork.com.  Albert Frey, E. Stewart Williams, John Porter Clark, Bill Krisel, William Cody, www.psmodcom.com. ; John Lautner, www.johnlautner.org. Don Wexler, www.moderndeserthome.com. ;A Quincy Jones, www.aquincyjones.com. and many others.

The sixth annual Palm Springs Modernism Week, February 17 through 27, 2011, celebrates the culture and ideals of modernism, and the architects whose private home commissions, tract home subdivisions, civic and public buildings flourished to the degree that Desert Modern became a genre all its own.

This year, the “week” has expanded with more than 50 events over 11 days. The festival offers a variety of entertaining, educational  and cultural events that include the Modernism Show at the Palm Springs Convention Center where collectors and dealers will find vintage treasures and retro gems.

Architecture tours give aficionados rare opportunities to see residences including the popular Frey House II and Frank Sinatra’s 1947 mid-century home in Twin Palms Estates, designed by E. Stewart Williams with its famous grand piano shaped pool.

A special exhibit, “Steel and Shade: The Architecture of Donald Wexler” honors this notable local architect at the Palm Springs Art Museum. www.psmuseum.org.

Take one of the daily double decker bus tours to discover examples of mid-century modern architecture and interior design including the Edris House by E. Stewart Williams and an Alexander Twin Palms “Butterfly” house.

Films and design lectures series by noted authorities and art exhibitions, a vintage travel trailer show and Braniff Airlines exhibit at the Riviera Palm Springs, www.psriviera.com. plus music, food and swanky parties at glamorous properties are all part of the mix.

Many events are free to the public including a festive kick-off celebration in downtown Palm Springs on Thursday, Feb. 17.  For a full schedule of events, tickets and information, go to www.modernismweek.com.

Modernism is defined as cultural movement between 1940 and 1970 when art forms, architecture and design dramatically changed to embracing linear, organic and geometric forms with bold, bright colors.  Fueled by the optimism and prosperity of post World War II, Americans embraced the ideas inherent in modernism that human beings can create, improve and reshape the environment through practical experimentation, scientific knowledge and technology.

Desert modernism is a regional approach to International Style inspired by Palm Springs’ sunny skies, warm climate and breathtaking mountains, and by the architects’ bold and creative instinct to incorporate rocks, trees, vistas and other landscape features into the design.

Modern architecture is characterized by open floor plans and nearly invisible transitions from indoor to outdoor spaces through the extensive use of glass, steel and concrete, building elements that became more available in the post-war years.

“Events such as Modernism Week, the Retro Martini event on February 25, and the Alexander Weekend, March 25-27, are great ways to get acquainted with the superb collection of modern homes that we have here in Palm Springs,” said leading Realtor Ralph Haverkate, a specialist in mid-century modern homes in the Palm Springs area.  www.pspreservationfoundation.org.

“These homes are now recognized for the historic and architectural treasures that they are, it’s no surprise that they are now among the most sought-after properties in the Greater Palm Springs area’s real estate market.”

To see a spectrum of qualified Mid-Century Modern homes for sale in the Palm Springs area, contact Ralph Haverkate at  Ralph@RHaverkate.com.

– Pamela Bieri