Posts Tagged ‘Mid-Century Modern Homes’

South Palm Desert Mid-Century Modern Home Expanded, Transformed Into 21st Century Energy Efficient Classic

Saturday, April 23rd, 2011

When Ralph W. Haverkate, a real estate broker specializing in Mid Century Modern homes, came across an abandoned but classic Mid-Century Modern home in south Palm Desert that was facing a short sale, he immediately called his wife Bettina Waldraff to come take a look.

“He wanted me to see the inside of the house with the true mid-century modern beam ceiling and big back yard with pool which our two Entlebucher Swiss Mountain dogs would love,” she said. “We both saw right away the potential this property could have.”

The couple called young up-and-coming architect Lance O’Donnell of O2 Architecture in Palm Springs, a protégé architect working with Donald Wexler.  They previewed several homes with O’Donnell to get his perspective and input. O’Donnell agreed that south Palm Desert house was a great location, within walking distance to El Paseo, and had “great bones and potential.” O’Donnell suggested leaving the existing ceiling and adding on a master suite to increase the house from approximately 1,900 square feet to 2,500.

Their offer finally accepted, the Haverkates sealed the deal in November, 2009.  O’Donnell began his design that  maintained the house’s original architecture but meticulously reinvented its interior. Rarely is a house able to combine modern and vintage accents into a living work of art.

“Mid-April of last year, our project was underway,” said Bettina. “Moving along, the whole house was gutted down to the studs and just the old concrete floors and wood beam ceilings were left.”

The remodel, executed by Barton Construction Palm Springs and Team Haverkate, kept the original wood post and beam construction and ceiling.  New air conditioning ducts and copper plumbing were installed under the original slab. The new roof and walls were fully insulated and the concrete floors throughout were restored and polished.

The new master suite bedroom/bathroom addition was designed with its roof tilted in the opposite direction of the existing roof line of the house to give it the mid-century modern “Butterfly Roof” look.

The kitchen was designed to be a focal point in the living space.  It features CAESARSTONE kitchen counter tops, white high gloss Wenge wood veneer cabinets and top-of-the-line MIELE dishwasher, oven, steamer, warming drawer, and built in espresso machine, with an energy efficient induction glass cook top and stainless steel hood. A SUBZERO refrigerator and 150 bottle SUBZERO wine fridge complete the kitchen appliances.

“A long 10 feet dining table was a must since I like to cook and entertain friends and clients of Ralph’s,” said Bettina. “And a handmade crystal chandelier rounds up the dining area giving it a glamorous feel.”

A huge 24-foot glass wall completely disappears, joining the living areas to the patio and pool.

“Strong support was needed to hold the big glass slider,” said Bettina. “To have that open space, living inside/outside feeling was one of the main items on our wish list.”

The swimming pool was completely re-done in its original style, shape and size with all new pool equipment, plumbing and concrete decking, adding an outdoor fire pit and sitting area. Albert Frey-style block walls provide privacy and accent the desert landscaping. A state-of-the-art see-through glass Napoleon fireplace replaces an outdated fireplace.

Bathrooms feature PORCELANOSA glass tiles and Wenge veneered cabinets under modern WET sinks and the master bath has a white custom CAESARSTONE dual vanity.  All faucets, shower heads and toilets are the latest design of KOHLER.

“Mark Davis from the Modern Home store in Palm Springs supplied us with tile for all the bath rooms and kitchen back splash as well as the countertops in the kitchen and the double sink free-floating unit in the master bath,” said Bettina.

The Haverkates chose double pane energy-efficient aluminum framed windows and sliders throughout the house. Three separate air and heating systems were placed underground (rather than on the roof) and can be operated separately to keep the energy costs down. Most lighting is the latest energy efficient LED light fixtures.

“Finding the right furniture was fairly easy since both Ralph and I have very similar taste,” said Bettina. “We were able to picture what pieces we needed where and what colors.  We found some of the furniture in Los Angeles, and also some great pieces locally in Palm Springs.”

The property is conveniently located in a very quiet South Palm Desert area but still within walking distance to the high-end shopping/restaurant EL PASEO area.

“We moved in November 2010 and just love the area and the house,” said Bettina. “Our two dogs, Heidi and Willi, could not be happier; they enjoy the big lawn area created for them to play and run after their balls.”

Neutra Architectural Practice Turns 85; Weekend Celebration in Los Angeles, April 8 – 10

Monday, April 4th, 2011

Welcome to Ralph Haverkate Real Estate Specializing in Mid Century Modern Homes in the California Desert

Dion Neutra, son of celebrated architect Richard Neutra and surviving partner in the storied architectural firm, invites Neutra fans to help celebrate the firm’s 85th anniversary next weekend in Los Angeles.

Dion plans a series of events that include a birthday party at the Eagle Recreation Center on Friday, April 8, which would be Richard Neutra’s  119th (b. April 8, 1892- d. April 16, 1970). On Saturday and Sunday are a symposium, reunion of Neutra owners, comprehensive walking tour of 10 Silver Lakes homes including the Lovell Health House, plus documentary films and VIP receptions at various Neutra designed sites in Los Angeles.  Ticket sales benefit the Van Der Leeuw Research house restoration and endowment, a 501 c 3 non-profit institute.

A ticket to all weekend events is $250 or separate tickets are available for each event.  To purchase  tickets and for specific information, go to

www.neutra.org/reserve-your-space.html.

The Austrian-born Richard Neutra, who emigrated to the United States in 1923, is best known for  combining Bauhaus modernism with Southern California building trends, creating a unique adaptation that became known as Desert Modernism.

At the Technical University of Vienna, Neutra studied under Adolf Loos , who was influential in European Modern Architecture. He was also influenced by Otto Wagner, a professor at the Vienna Academy of Fine Arts, who radically opposed the prevailing architectural styles.  Neutra  worked for a time in Germany in the studio of Erich Mendelsohn who practiced “dynamic functionalism.”

After coming to the US, Neutra worked briefly for Frank Lloyd Wright before collaborating with his close friend and university companion Rudolf Schindler, living and working communally in Schindler’s Kings Road House in California.

www.wikipedia.org/wiki/Richard_Neutra

Neutra’s houses were dramatic, flat-surfaced industrialized looking building, constructed with glass, steel and reinforced concrete, and typically finished in stucco. His style was rigorously geometric but composed airy structures that created a modern regionalism for Southern California, a West Coast variation of the Mid-Century Modern residence.

Neutra was regarded for the careful attention he gave to defining the real needs of his clients, regardless of the size of the project.  He sometimes used detailed questionnaires to discover his client’s needs, much to their surprise. His domestic architecture was a blend of art, landscape and practical comfort.

The Lovell House (1927-1929) in Los Angeles created a sensation in architectural circles both in Europe and America, as stylistically similar to Le Corbusier and Mies van der Rohe.  A special tour of this house for the anniversary celebration takes place on Sunday, April 10 from noon to 5 p.m.

Later, Neutra designed a series of elegant pavilion-style homes composed of layered horizontal planes.  With extensive porches and patios, the homes appeared to merge with the surrounding landscape.  The Kaufman House (1946-47) in Palm Springs and the Tremaine House are examples of Neutra’s pavilion houses.

http://architecture.about.com/od/greaterarchitects/p/richardneurtra.html

The Kaufman House has twice been at the vanguard of new movements in architecture:  First by helping to shape postwar Modernism and later, as a result of a painstaking and expensive restoration in the late 1990s, spurred a revival of interest in mid-20th century homes, according to a New York Times review by Edward Wyatt.

This house is one of Neutra’s the best-known.  Its  unusual pin-wheel plan was designed for Pittsburgh department store magnate Edgar J. Kaufmann, became the last domestic project by the architect, and arguably his most famous.

The house became part of cultural history thanks to a 1947 photo by Julius Shulman that shows Mrs. Kaufmann reclining by the pool, the house glowing in the sunset.  The photo became one of the most reproduced architectural photographs ever.

www.eichlernetwork.com/desert_chron7.html

Neutra extended architectural space into carefully arranged landscapes.  The dramatic images of flat-surface, industrialized residential buildings contrasted against nature were popularized by Shulman’s  photography.

In his architectural firm, Neutra worked with several successful partners including his wife, Dione, from 1922; his protégé Robert Alexander, from 1949 to 1958 (the Alexander homes in Palm Springs); and his son Dion from 1965. In the early 1930s, Neutra’s Los Angeles practice trained several young architects who went on to independent success, including Gregory Ain, Harwell Hamilton Harris and Raphael Soriano.

Dion kept the Silver Lake offices designed and built by his father open as “Richard and Dion Neutra Architecture” in Los Angeles. The Neutra Office Building is listed on the National Register of Historic Places.

www.greatbuildings.com/architects/Richard_Neutra.html

An experienced and outspoken writer, Neutra adamantly believed that modern architecture must act as a social force in the betterment of mankind.

www.architectureweek.com/2002/0424/news_1-1.html

Neutra is one of many famous Mid Century Modern architects whose celebrated works abound in the California desert.  For a tour of significant Desert Modern homes and estates currently for sale, contact Ralph Haverkate Real Estate at Ralph@RHaverkate.com.

– Pamela Bieri

Desert Modern Architect Craig Ellwood Focus of Lecture at Palm Springs Museum

Tuesday, March 29th, 2011
Palevsky Residence, Palm Springs, CA 1968

Palevsky Residence, Palm Springs, CA 1968

Welcome to Ralph Haverkate Real Estate Specializing in Mid Century Modern Homes in the California Desert

Craig Ellwood is credited with designing some of the most elegant modern homes built in California in the 1950s and 1960s, but he was not educated as an architect.  Greatly influenced by Mies van der Rohe as well as Charles Eames and Richard Neutra, Ellwood’s designs were characterized by exposed lightweight steel or timber framing, and by floating wall planes separated by a shadow line or “flash gap” detail.  Ellwood homes were spare, modernist and elegant.

On Saturday, April 2, 10 a.m.,  the Palm Springs Museum focuses on Ellwood’s work as the final seasonal lecture on the history of modernism architecture in Palm Springs.  A tour of Ellwood’s most significant Coachella Valley work, the Max Palevsky residence in Palm Springs, follows the lecture.  The late billionaire Palevsky was a computer technology pioneer, venture capitalist and philanthropist. Cost for the event is $25.  www.psmuseum.com.

An influential Los Angeles-based modernist whose career spanned the early 1950s through the mid-1970s, Ellwood was recognized for fusing the formalism of Mies van der Rohe with the more casual  California modernism, adapting the style into an accessible and fashionable vernacular.

The controversial designer fashioned a “persona” and career through his innate talent for good design, ambition and self-promotion.  If ever there was a product of Hollywood, it was architect Craig Ellwood.  Even his name was an invention:  Born Jon Nelson Burke in Clarendon, Texas, in 1922 his family moved to Los Angeles in 1937 where he attended Belmont High School.

After discharge from the Army Air Corps in 1946, Burke returned to Los Angeles and set up a company with his brother Cleve and two friends from the war, the Marzicola brothers, one of whom had a contractor’s license.  The four men named their firm “Craig Ellwood” after a liquor store called Lords and Elwood located in front of their offices.  Burke later legally changed his name to Ellwood and established Craig Ellwood Design in 1951.   www.absoluteastronomy.com/topics/Craig_Ellwood

Ellwood entered LA’s percolating, post World War II design world as a construction supervisor, draftsman and a cost estimator.  He worked for a construction company in Los Angeles while taking night classes at the University of California Los Angeles Extension Division.  One year before completing his studies, he and his partners established Craig Ellwood Associates in Los Angeles.

Ellwood learned hands-on about building in steel and plastic sheet before he studied architectural theory which gave him an understanding of steel construction and a practical application that eluded many contemporaries from architectural school.  His designs incorporated steel with thoughtful detailing and craftsmanship;  his trademark structural devise incorporated an exposed warren truss that used small member to span big distances.   www.greatbuildings.com/architects/Craig_Ellwood.html.

As a cost estimator for a firm of modern house builders — Lamport, Cofer, Salzman —  Jack Cofer asked Ellwood to design his first house for Milton Lappin in 1948.  Although an awkward  derivative of Frank Lloyd Wright’s Sturges House in Brentwood, the house was published in the Los Angeles Times Home Magazine in 1950, bringing Ellwood recognition, further commissions, and encouraged him to set up, illegally, as Craig Ellwood, Architect.

Soon after he began co-designing homes, Ellwood met John Entenza, founder of the important Case Study House Program which commissioned and promoted modern, economical housing designs.  As editor of Arts & Architecture magazine, Entenza promoted the creative and cost-effective prefabricated, modular housing by publishing these demonstration houses, designed by such luminaries as Charles Eames, Eero Saarien, Richard Neutra, John Lautner, and Edward Killinsworth.  Ellwood eventually designed three Case Study houses all built with exposed steel frames and columns.

His first commission outside of Los Angeles, in 1955 for Charles and Gerry Bobertz in San Diego, Ellwood designed an early example of what later came to be called Ellwood’s “wall houses,” named because of an unrelenting street facade and the defining, perpendicular rhythms and materials of interior and exterior walls.

Behind the stark street facade, however, logically arranged living area unfold, flooded with natural light from windows and skylights.  Eight-foot tall floor to ceiling glass doors open the house to the back yard and a children’s courtyard.  Inside, partition walls, capped with bands of glass that meet the wood ceilings, seem to float.   www.legacy.signonsandiego.com/uniontrib/2006/09/03/news_mzlhs03moder.html

The enigmatic exterior wall theme continued when Ellwood designed the Palevsky home on West Cielo Drive in 1968 on what was then described as “the best site in Palm Springs.”  Based on Casablanca desert  style homes that were white-walled compounds with structures set within rectangular walls, the minimalist Palevsky home is integrated into its boulder-strewn site.

www.palmspringsarchitectureblogspot.com/2010/05/max-palevsky-residence.html

Often formal in arrangement, sometimes symmetrical in plan and frequently launching into the landscape, Ellwood houses populated the more exclusive Los Angeles suburb including Beverly Hills, Pacific Palisades, Brentwood and Pasadena.

Although Ellwood’s style translated less well in large commercial projects, the Scientific Data Systems site in El Segundo, (1968) where the administration and manufacturing buildings are pavilions in an open landscape, achieved a successful expression.  Ellwood’s last building, the Art Center College of Design in Pasadena, was conceived as a huge truss spanning a canyon, a final, successful realization of a theme often repeated in his earlier buildings.

Although Ellwood’s work is limited in Palm Springs, the California desert is a treasure trove of remarkable, architecturally significant homes and estates by some of the world’s most prominent Mid Century Modern architects.  For a personal tour of significant homes for sale in the area, contact Ralph Haverkate at Ralph@RHaverkate.com.

–Pamela Bieri